Page: 
Source: 
p. 4, b. 99-132
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 120-122

in AF (→FE)

  in GE

No signs in EE

  suggested by the editors

In the main text we follow the marks of GE, in which the markings are more accurate in this fragment (pedalling in b. 117-121,  in b. 119). The only element we modify is the ending of the mark, since b. 121 closes a line in this edition; therefore, even if the notation of [AG] resembled the one of AF, the engraver could have considered the placement of a very short ending of a hairpin in a new line to be irrational. The version of AF (→FE) can be considered an equal variant.
In fact, the difference may be subtle – the mark of AF suggest the most emphasis on the crotchet ending b. 120, whereas in the version of GE such a local climax can be this chord or the minim in b. 121.
The missing mark in EE is probably an oversight.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Scope of dynamic hairpins, Errors in EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1