Page: 
Source: 
p. 4, b. 99-132
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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FE - French edition
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EE - English edition
EE1 - First English edition
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AF - Autograph fair-copy
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FED - Dubois copy
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  b. 115

Long accent in Af, probable interpretation

2 long accents in FE

L.H. short accent in EE

Short accent in GE

The two accents written in AF in analogous b. 19 and 111 have the characteristics that are frequently encountered in the notation of short accents – the mark tilted upwards and a relatively big angle between the arms. However, the mark in the discussed bar is less characteristic in this respect; therefore, we assume that it is a long accent. In FE (→EE) it was placed under the L.H. chord by mistake, which Chopin then corrected in the last stage of proofreading by adding a second accent under the R.H. triplet. According to us, the added accent – certainly long – tips the balance in favour of long accents in all analogous bars. The short accent in GE may be considered an alternative version. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Long accents, Inaccuracies in FE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1