Page: 
Source: 
p. 3, b. 59-98
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
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Important
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  b. 90-92

in AI

 in AF

in FE (→EE)

in GE

In the main text we give the  hairpin after AF, since the range of the mark in b. 92 seems to be related to the accent on the culminant gminim, present only in this autograph; it may also be related to the dotted rhythm preceding the minim (cf. the notation of AI). The longer mark of GE, which most probably reproduces the notation of [AG], may be considered an equal variant.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1