Page: 
Source: 
p. 2, b. 27-58
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
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copy link PDF Main text


  b. 39-42

Slur in bars 39-41 in AI

Slur in bars 40-41 in AF

No slur in FE (→EE)

Slur in bars 39-42 in GE

Our alternative suggestion

In the main text we give the AF slur indicating the a1-b1 step between b. 40 and 41 as the end of the tenor voice. The GE slur, which must also be authentic, since it is actually identical with the AI slur, can be considered an equal variant. Alternatively, we additionally suggest a slur binding the elements of both source versions that can be combined in a way that would make sense.

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category imprint: Differences between sources; Editorial revisions

issues: Errors in FE

notation: Slurs

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1