Page: 
Source: 
p. 6, b. 163-192
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 191-192

in AI & AF (→FEEE)

 in AF is written at the end of b. 191; it undoubtedly concerns the semiquaver that closes the bar too. This is how it was interpreted in FE (→EE), in which the indication was placed – in accordance with usual practices – slightly before the semiquaver. This is the notation we give in the main text. The notation of AI resembles the one of AF, although the indication is moved slightly to the right. In turn, in GE1 the greater part of  is already in b. 192, which was revised in GE2 by placing the entire mark in b. 192, as a result of which it seems to concern only the crotchets in this bar. It cannot correspond to Chopin's intention, who would sometimes use a previous manner of placing indications within and not at the beginning of their scope.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Centrally placed marks

notation: Verbal indications

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1