mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-26
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
AF - Autograph fair-copy
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF AF - Autograph fair-copy

  b. 10-12

No marks in AI & GE

Long accents in AF

Marks in FE (→EE)

We reproduce the short  hairpins in b. 10 and 12, whose nature is clearly the one of long accents, after AF (in FE and EE they were moved under the R.H. part). The absence of these marks in GE is probably an oversight of Chopin: in analogous b. 102-104 it is precisely GE that is the only source containing those marks.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Placement of markings, FE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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