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Issues : Accompaniment changes
b. 45-55
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 45, 47, 48 and 53-55, there are visible traces of corrections of the chords on the 2nd or 3rd beat of the bar in AI. In each case Chopin removed one note from the originally written f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Omitted correction of an analogous place , Corrections of AI |
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b. 50
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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There is a visible crossing-out of the c category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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b. 63-64
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The notation of AI shows the evolution of the accompaniment in these bars. In both bars Chopin started from a typical bass-chord-chord structure, which he modified in b. 64 by replacing the last chord with a transitional F category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Accompaniment changes , Corrections of AI |
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b. 66
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In AI one can see the deleted initial form of the accompaniment – c category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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b. 69
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we include the category imprint: Differences between sources; Corrections & alterations |