Issues : Accidentals in different octaves
b. 161
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
Both autographs are lacking in the before the 2nd L.H. quaver (d). The inaccuracy was removed in FE (→EE), which in the case of such a patent defect could have been performed by the reviser. The correct text is also in GE. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A |
|
b. 165
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
AI and AF are lacking in the lowering d to d. The patent inaccuracy was corrected in FE (→EE); it is also GE that features the correct text. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
|
b. 166
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
In AI there is no lowering c1 to c1, moreover, AI and AF lack a lowering C to C. The inaccuracy of AF was corrected in FE (→EE); it is also GE that features the correct text. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , FE revisions |
|
b. 167
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
On the 2nd beat of the bar in AI, there are no naturals lowering f to f and d1 to d1. Chopin's inaccuracy is proven by an analogy with b. 159, by the presence of d both in the D major key in b. 165 and F major key starting from the 2nd beat of b. 166 and, above all, by the presence of these naturals in all the remaining sources. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals |