Issues : Main-line changes
b. 85-87
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The melodic variants in b. 85 and 87 of the motif opening the majority of the phrases of this theme were introduced only just at the stage of writing Stichvorlage autographs. Such a diversification of recurring motifs is typical of Chopin and would frequently appear in the final stages of shaping particular pieces, cf., e.g. the Mazurka in G Minor, Op. 24 No. 1, b. 57 and 59. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Main-line changes |
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b. 140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI is the initial one and was then changed, most probably at the time when the R.H. top voice was being added. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 189
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the version of GE, in which the performance indications are most accurate (slur, staccato dot and hairpin in b. 189-191). According to us, the omission of the g quaver is to be considered a continuation of the changes, which are evidenced by crossings-out and corrections visible in AI in b. 185-189. category imprint: Differences between sources issues: Accompaniment changes , Main-line changes |