



Articulation, Accents, Hairpins
b. 24
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing staccato dot in AF (→FE→EE) must be an oversight of Chopin – in the very AF, dots are present in analogous b. 20 and 116. category imprint: Differences between sources issues: Inaccuracies in A |
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b. 25-26
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The category imprint: Differences between sources; Editorial revisions issues: Scope of dynamic hairpins |
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b. 27-30
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Just like in b. 25, the category imprint: Differences between sources; Corrections & alterations |
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b. 29-31
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the most accurate indications of GE1, most probably corresponding to the notation of [AG]. The minor differences in the range of the signs in FE, EE and GE2 bear hallmarks of inaccuracies and have a negligible impact on the meaning of the marks. See also b. 31. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
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b. 31
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we take into account the accent of GE1 – it is most probably a clarification entered into [AG]. The absence of the mark in GE2 is most probably an oversight of the engraver. category imprint: Differences between sources issues: Errors in GE |