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Issues : EE revisions
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b. 124-125
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the continuous slur of AF, reproduced in FE and EE with minor inaccuracies related to the transition to a new line, starting from b. 125 – in EE the slur in b. 124 was led to the g category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Authentic corrections of GE |
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b. 134-136
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 134 and 136, the Chopinesque manner of writing stems always on the right-hand side of the noteheads contributed to an incomprehensible reproduction of the two-part notation of AF by the engraver of FE and, consequently, the totally erroneous notation of EE. In the main text we give the simplest and probably the latest notation introduced by Chopin in [AG] (→GE). category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Corrections in A , Errors resulting from corrections , FE revisions , Inaccuracies in A , Partial corrections |
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b. 162
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The autographs are lacking in cautionary accidentals in this bar. In FE (→EE) a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , FE revisions |
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b. 164
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The majority of the sources are lacking in cautionary accidentals in this bar. The only exception is EE, in which naturals were added before b and a. We include the former in the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 170
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The R.H. bottom voice crotchet on the 2nd beat of the bar is written in AI as f category imprint: Differences between sources issues: EE revisions , Enharmonic corrections |
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