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Issues : Inaccuracies in A
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b. 134-136
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 134 and 136, the Chopinesque manner of writing stems always on the right-hand side of the noteheads contributed to an incomprehensible reproduction of the two-part notation of AF by the engraver of FE and, consequently, the totally erroneous notation of EE. In the main text we give the simplest and probably the latest notation introduced by Chopin in [AG] (→GE). category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Corrections in A , Errors resulting from corrections , FE revisions , Inaccuracies in A , Partial corrections |
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b. 135-137
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing staccato dots on the 2nd and 3rd beats of b. 135 and 137 are most probably an inaccuracy of AF (→FE→EE) – cf. b. 11 and 103. The oversight of these marks could have provoked a manifest slurring error – see the note in the next bar. category imprint: Differences between sources issues: Inaccuracies in A |
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b. 159-160
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in A |
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b. 161
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Both autographs are lacking in the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A |
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b. 165
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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AI and AF are lacking in the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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