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Issues : Accompaniment changes
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b. 77-87
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the version of GE, in which the bass notes in b. 77, 79, 85 and 87 are placed an octave lower with respect to the remaining sources. There is no doubt that it is a Chopinesque improvement – he would use this tool on a number of occasions, e.g. in the Waltz in C category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 87
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI with triads is the original one, left almost certainly by inadvertence. Its traces can also be seen in AF, in which, however, Chopin changed both chords – differently than in all analogous bars – to sixths. According to us, the change of the chord on the 3rd beat of the bar could have been a mistake; therefore, in the main text we give the unequivocal version of GE, which is compliant with the remaining analogous places. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Deletions in A , Accompaniment changes |
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b. 134
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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It is difficult to say which version of the 1st beat of the bar is later and whether Chopin considered any of them to be final. According to us, when the G In FE (→EE) this G category imprint: Differences between sources; Corrections & alterations issues: Errors of A , Accompaniment changes , Errors repeated in FE , Errors repeated in EE |
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b. 138
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI is original and most probably connected to the original version – except for the top voice – of the R.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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It seems that both published versions of the beginning of this bar were already present in AI, in which one can see a crossing-out of the crotchet, probably G category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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