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Issues : EE inaccuracies
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b. 92
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In AF the long accent under the culminant g category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Long accents , EE inaccuracies |
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b. 99
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The mark in this bar is a continuation of the category imprint: Differences between sources issues: Long accents , EE inaccuracies |
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b. 124-125
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the continuous slur of AF, reproduced in FE and EE with minor inaccuracies related to the transition to a new line, starting from b. 125 – in EE the slur in b. 124 was led to the g category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Authentic corrections of GE |
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b. 127-129
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The notation of the tenor voice slurs eventually found its shape in AF. Probably due to layout complications in b. 128, the slurring of the remaining sources is incomplete or inaccurate:
In the main text we give the slur of AF, completed with a slur for the alto voice, written in this autograph in analogous b. 35-37. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 163-164
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing dashes marking the range of the cresc. from b. 161 are probably an inaccuracy of EE. In AI, until b. 187, there are no performance indications except for the R.H. slurs and 5 accents in b. 173-177. category imprint: Differences between sources issues: EE inaccuracies |
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