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Op. 50 No. 3, Mazurka in C♯ minor

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b. 161

composition: Op. 50 No. 3, Mazurka in C♯ minor

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Both autographs are lacking in the  before the 2nd L.H. quaver (d). The inaccuracy was removed in FE (→EE), which in the case of such a patent defect could have been performed by the reviser. The correct text is also in GE.
Before e1 on the 3rd beat of the bar, all sources except for GE feature a superfluous .

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A

b. 162

composition: Op. 50 No. 3, Mazurka in C♯ minor

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The autographs are lacking in cautionary accidentals in this bar. In FE (→EE) a  was added before the d crotchet; the sign is also present in GE. Moreover, in EE a  was added before the c1 crotchet. In the main text we include both accidentals.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , FE revisions

b. 163

composition: Op. 50 No. 3, Mazurka in C♯ minor

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We add cautionary sharps before g and f in the main text.

category imprint: Editorial revisions

b. 163-164

composition: Op. 50 No. 3, Mazurka in C♯ minor

No dashes in AI & EE

Dashes in AF (→FE) & GE
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The missing dashes marking the range of the cresc. from b. 161 are probably an inaccuracy of EE. In AI, until b. 187, there are no performance indications except for the R.H. slurs and 5 accents in b. 173-177.

category imprint: Differences between sources

issues: EE inaccuracies

b. 164

composition: Op. 50 No. 3, Mazurka in C♯ minor

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The majority of the sources are lacking in cautionary accidentals in this bar. The only exception is EE, in which naturals were added before b and a. We include the former in the main text.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions