



b. 28
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing d category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Errors of A |
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b. 29-32
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The majority of the source versions are a result of inaccuracies and mistakes. Out of the written-down versions of the slurring, hence except for AI, it is only two slurs that seem to be authentic:
The issue concerning the differences in slurring in the next bars – see b. 33-37. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE , FE revisions , Uncertain slur continuation |
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b. 29-31
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the most accurate indications of GE1, most probably corresponding to the notation of [AG]. The minor differences in the range of the signs in FE, EE and GE2 bear hallmarks of inaccuracies and have a negligible impact on the meaning of the marks. See also b. 31. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
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b. 30-31
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The b category imprint: Differences between sources; Corrections & alterations |
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b. 30-31
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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These unobvious pedalling markings were added by Chopin in AF. They are absent both in the remaining sources and in analogous b. 122-123, hence in the main text we include them in a variant form. category imprint: Differences between sources; Editorial revisions |