mUltimate Chopin

Op. 50 No. 2, Mazurka in A♭ major

Text Compare Notes Sources Description

Issues : Cautionary accidentals

b. 12-20

composition: Op. 50 No. 2, Mazurka in A♭ major

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The cautionary flats before a1 in b. 12 and 20 were added in the first phase of proofreading of FE (→EE). It is unclear whether Chopin was responsible for the entire process of that phase of proofreading.

category imprint: Differences between sources

issues: Cautionary accidentals , FE revisions

b. 16

composition: Op. 50 No. 2, Mazurka in A♭ major

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In the main text we add cautionary flats before e2 and e1. The latter was already added in the proofreading of FE (→EE), although one cannot be certain whether such additions come from Chopin.

category imprint: Differences between sources; Corrections & alterations

issues: Cautionary accidentals , FE revisions

b. 25

composition: Op. 50 No. 2, Mazurka in A♭ major

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The cautionary  before e1 was added in the first stage of proofreading of FE (→EE). It is uncertain whether Chopin was responsible for the entire part of that stage of proofreading. The same applies to b. 56 and 100. The accidental is to be found also in GE.

category imprint: Differences between sources; Corrections & alterations

issues: Cautionary accidentals , FE revisions

b. 31

composition: Op. 50 No. 2, Mazurka in A♭ major

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In A1 (→FE→EE) there is a cautionary  before the d1 minim. The absence of the sign in GE may mean that Chopin realised that it is superfluous here while writing [A2].

category imprint: Differences between sources

issues: Cautionary accidentals , Last key signature sign

b. 40

composition: Op. 50 No. 2, Mazurka in A♭ major

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In the main text we add cautionary flats before d2 and e. The former was already added in FE (→EE). A1 and GE are devoid of cautionary accidentals in this bar.

category imprint: Differences between sources

issues: Cautionary accidentals , FE revisions