Pedalling
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b. 2-6
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composition: Op. 50 No. 2, Mazurka in A♭ major
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The pedalling markings in b. 2, 4 and 6, added by Chopin in [A2] or in the proofreading of GE1, were most probably reproduced inaccurately, since it is difficult to assume that the pedal should be released differently in b. 2 and 4. Therefore, in the main text we suggest an averaged notation, although in both cases the pedal could actually be held throughout the entire bar. Consequently, the change introduced in GE2 is justified in this case. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: GE revisions |
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b. 19-20
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Due to the following reasons, in the main text we include the pedalling of GE in a variant form only:
There is a similar situation in b. 50-51 and 94-95. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 25
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Like in b. 19-20, in the main text we give the pedalling of GE in a variant form; it could have been written by Chopin in haste. The same applies to b. 56 and 100. category imprint: Differences between sources; Corrections & alterations |
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b. 50-51
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Due to the reasons explained in analogous b. 19-20, in the main text we give the pedalling of GE in a variant form only. At the same time, we include the correction of the placement of the category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 56
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 25, in the main text we give the pedalling of GE, perhaps entered hastily, only in a variant form. category imprint: Differences between sources; Corrections & alterations |
asterisk in b. 19 is almost certainly misplaced;
