Page: 
Source: 
p. 1, b. 1-36
p. 1, b. 1-36
p. 2, b. 37-72
p. 3, b. 73-104
FE2 - Second French edition
Main text
Afrag - Autograph fragment
A1 - Autograph fair-copy
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Afrag - Autograph fragment
A1 - Autograph fair-copy
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 9

Staccato dot in Afrag, FE1 (→EE) & GE

Wedge in A1 & FE2

Taking into account a possibility of an erroneous, simplified interpretation of GE of possible wedges of [A2], in the main text we give a wedge, written here in A1. We consider the staccato dot of Afrag to be a non-final stage of the search for a coherent concept of articulation markings of this and the analogous quavers; in turn, we consider the version of FE1 to be an example of the engraver having misunderstood the Chopinesque wedge. The wedge in FE2 could have been introduced on the basis of a new comparison with A1, although a significant number of oversights and other defects in that edition points to its hasty preparation rather than to careful edition using the manuscript. However, it may be a result of Chopin's sketchy proofreading, particularly if the mark was initially not there at all – see b. 17. 

See b. 1

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: Afrag, A1, FE1, FE2, FED, GE1, GE2, EE1