mUltimate Chopin

Op. 50 No. 1, Mazurka in G major

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Verbal indications

b. 9

composition: Op. 50 No. 1, Mazurka in G major

No marking in Afrag & A1 (→FE→EE)

in GE
..

The  marking is one of a few dynamic indications added by Chopin most probably in [A2] (→GE). The same applies to b. 33 as well as to b. 65, in which in this autograph, same as in A1, it was probably marked as repetition of b. 9. See also b. 53 and 57.

category imprint: Differences between sources

b. 33

composition: Op. 50 No. 1, Mazurka in G major

No marking in A1 (→FE→EE)

in GE
..

Just like in b. 9, in the main text we include the  mark of the principal source, i.e. GE. 

category imprint: Differences between sources

b. 53-57

composition: Op. 50 No. 1, Mazurka in G major

No markings in A1 (→FE→EE)

 &  in GE
..

In the main text we include the  mark in b. 53 and the  mark in b. 57, which most probably come from [A2].

category imprint: Differences between sources; Corrections & alterations

b. 65

composition: Op. 50 No. 1, Mazurka in G major

No marking in A1 (→FE→EE)

in GE
..

Just like in b. 9 and 33, in the main text we include the  mark of the principal source, i.e. GE.

category imprint: Differences between sources

b. 99

composition: Op. 50 No. 1, Mazurka in G major

No indication in A1 (→FE→EE)

dimin. in GE
..

The dimin. indication is an improvement introduced by Chopin in [A2] (→GE). See also b. 103.

category imprint: Differences between sources; Corrections & alterations