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b. 22
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composition: Op. 50 No. 1, Mazurka in G major
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There is a cautionary category imprint: Differences between sources issues: EE revisions , Cautionary accidentals , Last key signature sign |
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b. 24-25
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composition: Op. 50 No. 1, Mazurka in G major
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The quaver at the beginning of b. 25 constitutes both the beginning of a new phrase and a melodic and harmonic closure of the previous one. It suggests that the slur of GE, which does not encompass it, may be inaccurate; therefore, in the main text we give the undoubtedly authentic slur of A1 (→FE→EE). category imprint: Interpretations within context; Differences between sources |
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b. 24
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composition: Op. 50 No. 1, Mazurka in G major
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In the main text we include the category imprint: Differences between sources; Corrections & alterations |
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b. 25-33
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composition: Op. 50 No. 1, Mazurka in G major
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In b. 25 and 33, taking into account the possibility of an inaccurate, simplified interpretation of possible wedges of [A2] by GE, in the main text we give the wedges written in A1. The interpretation of those marks in FE is most probably inaccurate. category imprint: Differences between sources issues: Inaccuracies in FE , Wedges |
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b. 26-27
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composition: Op. 50 No. 1, Mazurka in G major
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It seems that the ending of the slur of A1 led to the 1st quaver in b. 27 was added by Chopin as an extension of the previously written shorter slur (similar to the ones in b. 2, 6 and 10). category imprint: Source & stylistic information issues: Corrections in A |
before f
1 at the beginning of the bar in 
in 
