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Issues : EE revisions
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b. 76
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composition: Op. 50 No. 1, Mazurka in G major
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At the beginning of the bar FE1 features an e1 (with a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , FE revisions |
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b. 79
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composition: Op. 50 No. 1, Mazurka in G major
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In the main text we give the slurs of A1 (→FE), which show the inner structure of b. 77-80 while suggesting that the continuity of the phrasing should be preserved. The separation of the slurs on the rest is a revision of EE, which is actually sensible; however, it does not correspond to the notation of A1, since it is rather the ending of the previous slur that could be considered inaccurate therein. category imprint: Differences between sources issues: EE revisions |
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b. 82
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composition: Op. 50 No. 1, Mazurka in G major
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It is difficult to determine Chopin's final intention here. The authenticity of both versions is likely yet not absolutely certain: Chopin could have committed a mistake while writing a category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of GE |
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b. 82-83
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composition: Op. 50 No. 1, Mazurka in G major
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The slur of A1 ending on the c category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A |
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b. 84
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composition: Op. 50 No. 1, Mazurka in G major
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The mark of A1, with arms of different length, may be interpreted as a reversed long accent or a short category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Long accents , EE revisions , Sign reversal , Authentic corrections of FE |
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