mUltimate Chopin

Page:

Source:

p. 18, b. 552-583

p. 1, b. 1-43

p. 2, b. 44-76

p. 3, b. 77-102

p. 4, b. 103-132

p. 5, b. 133-175

p. 6, b. 176-208

p. 7, b. 209-234

p. 8, b. 235-264

p. 9, b. 265-303

p. 10, b. 304-333

p. 11, b. 334-365

p. 12, b. 366-405

p. 13, b. 406-435

p. 14, b. 436-467

p. 15, b. 468-493

p. 16, b. 494-523

p. 17, b. 524-551

p. 18, b. 552-583

p. 19, b. 584-626

p. 20, b. 627-657

p. 21, b. 658-682

p. 22, b. 683-707

p. 23, b. 708-739

p. 24, b. 740-780

Main text

A - Autograph

FC - Fontana's copy

FE - French edition

FE1 - First French edition

FED - Dubois copy

FES - Stirling copy

FESf - Schiffmacher copy

GE - German edition

GE1 - First German edition

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

A - Autograph

FC - Fontana's copy

FE - French edition

FE1 - First French edition

FED - Dubois copy

FES - Stirling copy

FESf - Schiffmacher copy

GE - German edition

GE1 - First German edition

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 553-555

Simultaneous arpeggios in A (→FC→GE)

Continuous arpeggios in FE (→EE)

In b. 553 and 555 the continuous arpeggios in FE (→EE) must be a result of misunderstanding the notation of A, in which the wavy lines, although being close to each other, are clearly separated.

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category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Ornaments

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC

Complete ➔

Op. 31, Scherzo in B♭ minor