2-c3-g
In the main text we give the version of the principal source, i.e. FC (→GE). Although the naturals visible in the copy were almost certainly written by Fontana, the fact that Chopin carefully revised the entire copy allows us to assume that the composer accepted that addition. The version is also supported by a more natural development of the melodic line: in final progressions Chopin uses a rhythmic cell consisting of 3 repeated notes, which in b. 705 awakens expectations of continuation with the use of a chord featuring g2-g3. EE2 (→EE3) arbitrarily added cautionary flats before the discussed notes.
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors of A, Fontana's revisions
notation: Pitch