Page: 
Source: 
p. 1, b. 1-43
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Articulation, Accents, Hairpins
Verbal indications
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 9-41

No marks in A (→FE,FCGE)

Staccato dot in bar 41 in EE

4 wedges suggested by the editors

4 dots, our alternative suggestion

In A (→FC) Chopin did not mark staccato for the L.H. chords in b. 9, 17, 33 and 41. However, there is no doubt that they should be performed with the same articulation as the R.H. chords. Taking into account the notation on separate staves, we repeat the R.H. markings in order to avoid any doubts. In the sources a separate marking for the L.H. is present only in EE in bar 41. It cannot be authentic.

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category imprint: Differences between sources; Editorial revisions

issues: EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC