mUltimate Chopin

Page:

Source:

p. 8, b. 235-264

p. 1, b. 1-43

p. 2, b. 44-76

p. 3, b. 77-102

p. 4, b. 103-132

p. 5, b. 133-175

p. 6, b. 176-208

p. 7, b. 209-234

p. 8, b. 235-264

p. 9, b. 265-303

p. 10, b. 304-333

p. 11, b. 334-365

p. 12, b. 366-405

p. 13, b. 406-435

p. 14, b. 436-467

p. 15, b. 468-493

p. 16, b. 494-523

p. 17, b. 524-551

p. 18, b. 552-583

p. 19, b. 584-626

p. 20, b. 627-657

p. 21, b. 658-682

p. 22, b. 683-707

p. 23, b. 708-739

p. 24, b. 740-780

Main text

A - Autograph

FC - Fontana's copy

FE - French edition

FE1 - First French edition

FED - Dubois copy

FES - Stirling copy

FESf - Schiffmacher copy

GE - German edition

GE1 - First German edition

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

A - Autograph

FC - Fontana's copy

FE - French edition

FE1 - First French edition

FED - Dubois copy

FES - Stirling copy

FESf - Schiffmacher copy

GE - German edition

GE1 - First German edition

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

transcript

Prezentacja

Select

copy link PDF Main text

b. 257

D₁ in sources

D suggested by the editors

In the main text we suggest the D note introduced by Chopin in the proofreading of FE in analogous b. 125, since Chopin's intentional differentiation between those bars seems to be less likely than an oversight of the correction in b. 257.

Compare the passage in the sources »

category imprint: Editorial revisions

issues: Omitted correction of an analogous place

notation: Pitch

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC

Complete ➔

Op. 31, Scherzo in B♭ minor