Page: 
Source: 
p. 4, b. 103-132
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
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Important
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  b. 118-124

4 different accents in A

4 short accents in FC (→GE)

3 different accents in FE

3 short accents in EE

4 long accents, our alternative suggestion

In spite of the clear difference in the length of the accents in b. 118, 120, 122 and 124 visible in A, in the main text we give a unified notation with four short accents, which are more natural in these brilliant, virtuoso passages. At the same time, it is compliant with the notation of the principal source, i.e. FC, although it seems unlikely that Chopin could have interfered with the notation of the copy here. The absence of the last mark in FE (→EE) is an oversight, whereas the shorter first accent in EE – an inaccuracy or revision.

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category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Long accents, Errors in FE, EE inaccuracies, Inaccuracies in FC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3