Page: 
Source: 
p. 9, b. 235-284
p. 1
p. 2
p. 3, b. 1-48
p. 4, b. 49-82
p. 5, b. 83-117
p. 6, b. 118-161
p. 7, b. 162-196
p. 8, b. 197-234
p. 9, b. 235-284
p. 10, b. 285-329
p. 11, b. 330-365
p. 12, b. 366-420
p. 13, b. 421-461
p. 14, b. 462-499
p. 15, b. 500-540
p. 16, b. 541-577
p. 17, b. 578-628
p. 18, b. 629-672
p. 19, b. 673-708
p. 20, b. 709-740
p. 21, b. 741-780
p. 22
FE1 - First French edition
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 283-284

When interpreted literally, the right-hand ending of the phrase mark does not go beyond b. 283, yet its shape clearly suggests that it should be led to the last note of the passage. This is how it was understood in the remaining sources, which, being both musically and pianistically natural, we adopt in the main text. The righteousness of this decision is confirmed by the phrase mark of A in analogous b. 385-386, which was extended and clearly led to c4.

Compare the passage in the sources »

category imprint: Graphic ambiguousness

issues: Inaccurate slurs in A

notation: Slurs

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC