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p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
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p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
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p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
FE1 - First French edition
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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EE3 - Corrected impression of EE2
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  b. 376

Dotted minim g in A (→FEEE) & GE1

Minim g in FC & GE2 (→GE3)

The dotted g minim is the original version, left in A most probably by inadvertence. It is indicated by corrections in two previous analogous places (b. 274 and 295). Chopin's distraction in this place, as well as in the entire second appearance of this section, is proven by a few evident inaccuracies, e.g. the overlooked ties of g-e1 in b. 375-376 and f-f1 in b. 392-393. The versions of FC and GE1 are probably erroneous: the copyist was copying A with a dotted minim, of which the engraver of GE1 could not have been aware. The omission of the dot in GE2 (→GE3) is probably a revision unifying that bar with the three remaining analogous places. 

See b. 274

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, Omitted correction of an analogous place, Errors of FC

notation: Rhythm

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC