Page: 
Source: 
p. 12, b. 366-405
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
FC - Fontana's copy
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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copy link PDF FC - Fontana's copy


  b. 383

Slur from 1st note in A (probable interpretation→FEEE) & GE

Slur from 2nd note in A (possible interpretation→FC)

In A it is unclear whether the phrase mark is to begin from the 1st or the 2nd note of the bar, which was reflected in the differing versions of FC and FE (→EE). At the same time, in FE there are visible traces of shortening the phrase mark, which initially reached b1 in the previous bar. The version of GE is probably a 'standard inaccuracy' resulting from a tendency to adjust phrase marks (and dynamic hairpins) to regular rhythmic structures, e.g. bars, which is documented in a number of Chopin's pieces.

Compare the passage in the sources »

category imprint: Graphic ambiguousness

issues: Inaccuracies in GE, Inaccuracies in FE, Inaccurate slurs in A, Authentic corrections of FE

notation: Slurs

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC