Issues : Corrections in A
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b. 22
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see deletions of flats (cautionary?) before the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Last key signature sign |
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b. 61-62
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composition: Op. 31, Scherzo in B♭ minor
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The beginning of the slur, which was originally placed in A only just over the quaver motif in b. 62-63, was eventually moved by Chopin to the beginning of the preceding bar. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 63
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see that the last quaver was initially written as e2. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Enharmonic corrections |
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b. 64
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composition: Op. 31, Scherzo in B♭ minor
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Initially, Chopin wrote the L.H. part in A in treble clef an octave higher. Having noticed his mistake, he added a bass clef before that figure; eventually, he wrote the correct text on the stave below. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 66
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composition: Op. 31, Scherzo in B♭ minor
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The main text is a version introduced by Chopin in FC (→GE) and in the proofreading of FE (→EE). In the L.H. part in A one can see traces of numerous corrections in this bar; however, both a possible original version (like in the previous bar) and the final one were then changed by Chopin in FC and FE, respectively. According to us, the notation of A may also denote a version that we give as a possible interpretation should we assume that the restoration of c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Authentic corrections of FE , Authentic corrections of FC |
1-G
