Issues : Authentic corrections of FC
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b. 1
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composition: Op. 31, Scherzo in B♭ minor
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A is devoid of both the title and dedication (it seems that the aim of the pencilled addition at the top of the 1st page is to identify the manuscript for ordering purposes). In the main text we give them after the complete version of FC (→GE), free from mistakes. FE (→EE1→EE2) omitted the title of nobility of the dedication's addressee; there are also a few mistakes in her name and surname. Moreover, EE1 (→EE2) includes an additional, inauthentic title 'La Méditation.' The collective title page of EE3 omitted both that addition and the dedication; however, the Scherzo was marked as second. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , Errors in EE , Authentic corrections of FC |
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b. 15-16
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 18-22
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE1). The same applies to analogous b. 150-151 and 601-602, although the difference in the placement of the pedal release mark is noteworthy. GE2 shifted the category imprint: Differences between sources issues: GE revisions , Authentic corrections of FC |
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b. 20-22
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composition: Op. 31, Scherzo in B♭ minor
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The slur in FC (→GE) was extended by Chopin; the same applies to analog. b. 152-154. The missing slur in EE must be an oversight. category imprint: Differences between sources; Corrections & alterations issues: Errors in EE , Authentic corrections of FC |
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b. 40
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composition: Op. 31, Scherzo in B♭ minor
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The missing category imprint: Differences between sources; Corrections & alterations issues: EE revisions , No pedal release mark , Authentic corrections of FC |
sign to bar 19, precisely after those analogous bars. 
in 