Issues : Main-line changes
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b. 84-85
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composition: Op. 31, Scherzo in B♭ minor
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In A there is a visible deletion of the tie of d category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Main-line changes |
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b. 340-348
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composition: Op. 31, Scherzo in B♭ minor
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The crossings-out and additions visible in A in b. 340 & 348 allow us to reconstruct the original version of the passage in these bars: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
3 in these bars. Therefore, the starting point was a literal repetition (a fifth higher) of the beginning of this theme (b. 65-72) in b. 81-88. After the correction, in the third segment of this progression Chopin introduced a third melodic variant of its pattern. At the same time, he restored the strike in the 5th bar of the eight-bar section, in b. 69 and 77 implemented by the bottom voice of the R.H.
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