Issues : Authentic corrections of FC
b. 197-208
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 198
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composition: Op. 31, Scherzo in B♭ minor
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The version of A (→FE→EE) is the original one, probably left inadvertently, and changed by Chopin in FC (→GE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 200-208
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composition: Op. 31, Scherzo in B♭ minor
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Differently than in analogous b. 68-77, Chopin did not write any accents in b. 200-201 & 208-209 in A; he could have considered the marks written for the first time to be sufficient. However, while proofreading FC he added accents in b. 200-201, which confirms their validity also in this appearance of the theme. Due to the above reason, in the main text we also add a mark in b. 208 (and 209). Accents were also added in GE2 (→GE3). In GE all marks in those bars are common, short accents. category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , GE revisions , Authentic corrections of FC |
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b. 203-208
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the cresc. indication added by Chopin in FC along with the dashes marking its range between b. 203 and b. 212. The dashes were overlooked in GE1, yet added in GE2 (→GE3); however, the initial section of the crescendo was modified after analogous b. 71-72: cresc. was moved to b. 204 and a was added in b. 203. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of FC |
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b. 209-234
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE). It is only b. 225-226 that we discuss separately, in which the composer probably wrote a superfluous pedal change. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |