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Issues : GE revisions
b. 98
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FC |
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b. 99-100
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC |
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b. 101-102
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composition: Op. 31, Scherzo in B♭ minor
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The version of GE1, which may seem to be a result of a serious misunderstanding or mistake, is probably a clumsy attempt at correcting the mistakes and inaccuracies of the notation of FC. For the copyist put a superfluous dot extending the d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Different values of chord components , GE revisions , Errors of FC |
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b. 105-114
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composition: Op. 31, Scherzo in B♭ minor
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In b. 105-106, 109 & 113-114 in the main text we give the pedalling added by Chopin in FE (→EE). In FC (→GE1) the entire final section of this theme (b. 105-116) is devoid of markings, which must be Chopin's oversight; it could have been provoked by the corrections in the L.H. part in b. 102-104: Chopin could have noticed a mistake there while adding pedalling; having corrected it, which required the erasure of 3 bars of accompaniment, he did not resume his previous activity. GE2 (→GE3) added markings on the basis of the pedalling written in FC in analog. b. 237-238, 241 & 245-246, which is totally compliant with the markings we suggest. See also the notes to b. 107-108, 110-112 & 115-116. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , GE revisions , Authentic corrections of FE , Alterations in CF |
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b. 107-108
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the two-bar pedal entered by Chopin into FC in analog. b. 239-240. FC is devoid of pedalling in the discussed bars, which is almost certainly Chopin's oversight: see the corresponding note in b. 105. In FE (→EE) there are two one-bar pedals, which may be considered an authentic variant; however, it is most likely a hastily written, less deliberate version. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |