Issues : Authentic corrections of FC
b. 99-100
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the hairpin written by Chopin in FC (→GE1). The two-bar mark in GE2 (→GE3) is a result of a standard revision adjusting hairpins (and also, e.g. slurs) to rhythmic structures, e.g. bars. category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC |
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b. 103-106
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 103-104
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 107-108
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 109-113
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added a several-bar long crescendo both in FC (→GE) and in the proofreading of FE (→EE) (the latter started a bar later). In the main text we give the indication of FC, since it forms part of a much more detailed set of dynamic indications for the entire theme. The dashes marking the range of the crescendo are led in both groups of sources (except for GE1) to the mark, which, however, falls on a different bar in each of the groups: see the note to b. 114-117. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |