Issues : GE revisions

b. 678

composition: Op. 31, Scherzo in B♭ minor

No mark in A (→FEEE)

 in FC (literal reading→GE1)

Short accent in GE2 (→GE3)

Long accent suggested by the editors

..

According to Chopin, this bar is supposed to be a repetition of b. 227. Due to the reasons discussed in the note concerning that bar, in the main text we interpret the mark written there by Chopin as a long accent. A similar solution was adopted also in GE2 (→GE3).

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions

b. 681-682

composition: Op. 31, Scherzo in B♭ minor

No sign in A (FEEE)

 in FC (→GE1)

 in GE2 (→GE3)

..

In the main text we give a  hairpin, written by Chopin in FC (→GE1) in b. 230 (the discussed bar is a repetition thereof). Just like there, subsequent GE arbitrarily shortened the mark and moved it over the top stave.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 682

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FEEE)

 in FC (→GE1)

 in GE2 (→GE3)

..

In the main text we give the  hairpin added by Chopin in FC (→GE1) in b. 231, of which the discussed bar is a repetition. Just like there, the beginning of the  mark was arbitrarily moved in GE2 (→GE3).

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 683-685

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FEEE)

  in FC (→GE1)

  in GE2 (→GE3)

..

In the main text we give the   marks written by Chopin in FC (→GE1) in b. 232-234, of which the discussed bars are a repetition. Just like there, the  sign was arbitrarily moved by GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 686-687

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Two-bar pedalling in FC (→GE1)

One-bar pedalling in GE2 (→GE3)

..

These bars are an exact repetition of b. 235-236, and the Chopinesque pedalling written there in FC (→GE1) is most probably inaccurate. Therefore, in the main text we suggest the markings given by Chopin in analogous b. 103-104. Such a revision was introduced already in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions