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b. 326-330
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composition: Op. 31, Scherzo in B♭ minor
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A comparison with analogous b. 428-432 proves that the complementary pedalling markings in b. 326, 328 and 330, added by Chopin in FC and FE, are to be considered jointly; the second time Chopin added three pedals in each of the two sources. A proper addition was also introduced in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC |
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b. 332
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give a long accent with which Chopin replaced in FC the original reversed accent, inaccurately reproduced as a category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FC |
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b. 332
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composition: Op. 31, Scherzo in B♭ minor
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Chopin deleted in A the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 333
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composition: Op. 31, Scherzo in B♭ minor
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The version of EE3 is an arbitrary revision aiming at adapting this bar to b. 435, changed (also arbitrarily) already in EE2. category imprint: Differences between sources issues: EE revisions |
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b. 334-349
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composition: Op. 31, Scherzo in B♭ minor
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In A Chopin wrote and crossed out 4 pairs of category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
in bars 328 & 330 in 
in 
2 in 
dynamic hairpins. Each of the marks was more or less 2 bars long. If the crossing-out was related to the addition of the leggiero indication, it would be a trace proving the change of concept of this fragment from a casually virtuoso one to a more delicate one, which would not disturb the lyrical, intimate mood of the previous C