Issues : Errors in FE
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b. 548-551
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composition: Op. 31, Scherzo in B♭ minor
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Four accents under the bass octaves were not reproduced in such a form in any of the remaining sources. While GE2 (→GE3) contains all accents, they are placed above the octaves, which is a revision of the text of GE1 on the basis of a comparison with FC and unification by analogy (an accent was added in b. 551, which is absent in FC). category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions , Errors of FC |
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b. 554
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composition: Op. 31, Scherzo in B♭ minor
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In FE (→EE), the lack of arpeggio signs in bar 554 is undoubtedly due to an error of the engraver of FE. Similarly in bar 559. category imprint: Differences between sources issues: Errors in FE |
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b. 557-560
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composition: Op. 31, Scherzo in B♭ minor
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The missing L.H. slurs in b. 557-558 and 559-560 is most probably an oversight of the engraver of FE. The presence of the latter in EE indicates a revision or a mistake. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 559
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Errors in FE |
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b. 566
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio signs are most probably a mistake of the engraver of FE, who could have confused the bar with one of the previous ones, similar b. 562 or 564. category imprint: Differences between sources issues: Errors in FE |
