Issues : Authentic corrections of FC
b. 273-274
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the hairpin entered by Chopin into FC (→GE). There is a similar situation in all analogous bars, i.e. b. 294-295, 375-376 & 396-397. category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 294-295
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the hairpin entered by Chopin into FC (→GE). The exact range of the mark is questionable: it is written in b. 294, the last one in line, and clearly goes beyond the bar line; however, there is no continuation thereof in b. 295. We assume that it marks the same range as in analogous b. 375-376 & 396-397, in which the hairpins in FC were also added by Chopin. GE1 omitted the mark (the engraver could have been uncertain how to interpret the described notation), whereas GE2 (→GE3) provided the hairpin with a longer range, modelled after b. 273-274, which seems less justified, since:
category imprint: Differences between sources; Corrections & alterations issues: Scope of dynamic hairpins , Errors in GE , GE revisions , Authentic corrections of FC |
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b. 326-330
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composition: Op. 31, Scherzo in B♭ minor
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A comparison with analogous b. 428-432 proves that the complementary pedalling markings in b. 326, 328 and 330, added by Chopin in FC and FE, are to be considered jointly; the second time Chopin added three pedals in each of the two sources. A proper addition was also introduced in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC |
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b. 332
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give a long accent with which Chopin replaced in FC the original reversed accent, inaccurately reproduced as a hairpin both in FC and FE (→EE). The short accent in GE is a typical inaccuracy related to Chopinesque long accents, which do not belong to the canon of generally applied indications. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FC |
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b. 348
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we include the markings written in A (→FE→EE). Their absence in FC (→GE1), in which the pedalling of the eight-bar section encompassing this bar (b. 346-357) was also written by Chopin, is, according to us, a result of the composer's inattention (cf. b. 448-459). category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , GE revisions , Authentic corrections of FC |