Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 31, Scherzo in B♭ minor
We keep the notation of the majority of the sources, in which the double grace note is written in quavers. However, in the face of A, one can ponder whether Chopin did not forget to add the top beam of the semiquaver beaming, since in analogous b. 404 all sources feature small semiquavers.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Ornaments