Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 119-123

The only reason for the deletions visible in A in b. 118, 119 and 123 was attention to the notation's layout, since it was only correctly written notes that were deleted:

  • In b. 118 Chopin wrote the first 5 quavers in the R.H. without octave sign and was faced with the following dilemma: either to continue with a significant number of ledger lines or to use an octave sign in the very end of the passage, thus blurring the graphical presentation of the hand's position. The deletion proves that both possibilities were regarded as awkward.
  • in b. 119 and 123 it was only the direction of the crotchet stem that was changed – the stems pointing downwards, compliant with the rules and generally preferred by Chopin, were replaced with stems compliant with the direction of the stems in the preceding passages (upwards). At the same time, it made it possible to lead the slur to the note heads and not to the stems, which is considered better in terms of layout.

A similar correction is also to be found in b. 251.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

notation: Shorthand & other

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