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p. 19, b. 450-475
p. 1, b. 1-32
p. 2, b. 33-58
p. 3, b. 59-89
p. 4, b. 90-122
p. 5, b. 123-144
p. 6, b. 145-162
p. 7, b. 163-193
p. 8, b. 194-221
p. 9, b. 222-239
p. 10, b. 240-260
p. 11, b. 261-279
p. 12, b. 280-315
p. 13, b. 316-342
p. 14, b. 343-360
p. 15, b. 361-375
p. 16, b. 376-391
p. 17, b. 392-409
p. 18, b. 410-449
p. 19, b. 450-475
p. 20, b. 476-495
p. 21, b. 496-520
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 456-457

Fingering written into FEH

No teaching fingering

The fingering written in FEH is undoubtedly the most natural and rather obvious explanation of the printed Chopinesque indication. Therefore, both the detailed fingering of almost each note in bar 456 and repetition of those indications in the next, identical figure are conspicuous.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FEH

notation: Fingering

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo