mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Page: 
Source: 
p. 5, b. 123-144
p. 1, b. 1-32
p. 2, b. 33-58
p. 3, b. 59-89
p. 4, b. 90-122
p. 5, b. 123-144
p. 6, b. 145-162
p. 7, b. 163-193
p. 8, b. 194-221
p. 9, b. 222-239
p. 10, b. 240-260
p. 11, b. 261-279
p. 12, b. 280-315
p. 13, b. 316-342
p. 14, b. 343-360
p. 15, b. 361-375
p. 16, b. 376-391
p. 17, b. 392-409
p. 18, b. 410-449
p. 19, b. 450-475
p. 20, b. 476-495
p. 21, b. 496-520
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 124

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

Initially, FEH copied the 4th finger for the 1st semiquaver in bar 124, which was then changed to the 5th one, which distinguished that fingering from the one given by Fontana in EE.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Differences in fingering, Annotations in FEH

notation: Fingering

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo
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