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Source:
p. 17, b. 392-409
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Four tritones in the L.H. are devoid of articulation markings in the sources. According to us, it is a result of the layout, in which those quavers are placed on the top stave under the semiquavers in the R.H. – even if Chopin managed to squeeze them between both parts in [A], the engraver could have considered it impossible to reproduce such a notation in print. In subsequent bars, respective dyads are already provided with staccato dots; therefore, in the main text we mark these four quavers in the same way.
category imprint: Editorial revisions
issues: Inaccuracies in FE
notation: Articulation, Accents, Hairpins
Missing markers on sources:
FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo