mUltimate Chopin

Page:

Source:

p. 3, b. 59-89

p. 1, b. 1-32

p. 2, b. 33-58

p. 3, b. 59-89

p. 4, b. 90-122

p. 5, b. 123-144

p. 6, b. 145-162

p. 7, b. 163-193

p. 8, b. 194-221

p. 9, b. 222-239

p. 10, b. 240-260

p. 11, b. 261-279

p. 12, b. 280-315

p. 13, b. 316-342

p. 14, b. 343-360

p. 15, b. 361-375

p. 16, b. 376-391

p. 17, b. 392-409

p. 18, b. 410-449

p. 19, b. 450-475

p. 20, b. 476-495

p. 21, b. 496-520

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 74-75

No marks in FE (→EE,GE1→GE2)

Staccato dots in GE3

In GE3, all quavers in bar 74 were arbitrarily marked staccato. Moreover, dots were added to three chords in the L.H. in bar 75 (after the authentic marks in the R.H.).

See b. 68-70

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo

Complete ➔

Op. 11, Concerto in E minor, Mvt III