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p. 3, b. 59-89
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We may doubt whether the rhythmic variant occurring in FE (→EE,GE1→GE2), almost unnoticeable in relation to analogous bars 60, 288 and 289, was intended by Chopin. Similar types of imprecise notation took place in Chopin’s works, cf., e.g. bar 377. Therefore, we cannot rule out that it is the unified, concurrent with the remaining bars version in GE3 that corresponds to the composer's intent.
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category imprint: Differences between sources
issues: GE revisions, Dotted or even rhythm
notation: Rhythm
Missing markers on sources:
FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo