Fingering
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b. 215
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composition: Op. 11, Concerto in E minor, Mvt III
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This way of marking the strike of adjacent white keys with the 1st finger is also to be found in other pieces by Chopin, e.g. in . category imprint: Differences between sources |
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b. 218-219
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 221
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we include the entry in FED, whose authenticity is highly likely. The same digit – along a few more – is given also by FEH; in turn, EE has a different fingering in this part of the passage, maintaining the hand position from the 1st half of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 222
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, which comes from Chopin. A similar hand position is suggested by Fontana in EE. In turn, the entry of FEH defines a different combination, much less convenient (it may be a mistake). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 223-224
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
