Issues : GE revisions

b. 64-67

composition: Op. 11, Concerto in E minor, Mvt III

Slur from bar 66 in FE (→GE1GE2)

Slur from bar 65 in EE

Slur from bar 64 in GE3

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The slur of FE starts from the beginning of the line of text; at the same time, its beginning suggests continuation from the previous bar. That fact indicates that the initial part of the slur was overlooked, which we amend in the main text by starting the slur at the beginning of the two-part progression. The slur was identically prolonged in GE3.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation

b. 65

composition: Op. 11, Concerto in E minor, Mvt III

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We add a cautionary ​​​​​​​ before a2 in the main text. The accidental was added in FEH as well as in GE3.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , GE revisions , Cautionary accidentals , Annotations in FEH

b. 66

composition: Op. 11, Concerto in E minor, Mvt III

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In GE1, the 2nd quaver in the L.H. is a c1. The patent mistake is proven by the  before that note, totally unjustified before c1, and the version of analogous bar 294. The correct b​​​​​​​ was introduced already in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 68-70

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1GE2)

Staccato dots in GE3

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The staccato dots over the quavers in the R.H. in the second halves of these bars are an arbitrary revision of GE3.

category imprint: Differences between sources

issues: GE revisions

b. 68-70

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→EE,GE1GE2)

Slurs in GE3

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In bars 68 and 70, GE3 arbitrarily provided the first two quavers in the R.H. with slurs. It is a part of a large-scale revision of performance indications in this Tutti.

category imprint: Differences between sources

issues: GE revisions