Issues : Accidentals in different octaves
b. 369
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there are no naturals before f1, d1 (twice) and d. The necessary accidentals were added in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 386
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there is no accidental before the 2nd chord. The inaccuracy was corrected in the remaining editions by adding a before the top note (d3) in GE1 (→GE2) and EE and before the bottom one in GE3. The difference can be explained by the fact that it is only in GE3 that the 1st chord of the bar is written without octave sign. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 388
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composition: Op. 11, Concerto in E minor, Mvt III
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FE does not contain any accidentals in the last semiquaver triplet. The patent inaccuracy was rectified in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 389
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→EE,GE1→GE2), the 2nd half of the bar is written with the help of octave sign; at the same time, FE (→GE1→GE2) does not contain a single accidental therein. EE tried to correct the inaccuracy by adding sharps before e3 and a2 and a before d3. GE3 has the same notation we adopted in the main text. category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |